Mike for a special episode that will help you understand the context of each reading. For each period in the timeline, Jeff will join Fr. Unlike any other Bible podcast, Ascension’s Bible in a Year podcast follows a reading plan inspired by The Great Adventure Bible Timeline, a ground-breaking approach to understanding salvation history developed by renowned Catholic Bible scholar Jeff Cavins. Mike Schmitz walks you through the entire Bible in 365 episodes, providing commentary, reflection, and prayer along the way. Jeff Lorber Fusion, by any measure, remains reliably accomplished in execution, and Space-Time is, if not remotely a game-changer, an impressive addition to their discography.In The Bible in a Year podcast, Fr. Ford’s guitar also livens things up considerably on the tracks “Mind Reader” and “Curiosity,” moving the band out of its comfort zone long enough to suggest there’s still more that can be done within the format. Other tracks run the gamut from the somewhat manicured funk of the title track to the forward thrust of “Memorex” (powered by Albright’s throbbing bass guitar) to the more chill “Day One,” a summery delight made all the more shimmering by Michael Landau’s guitar lines.

The core band-featuring bassist Jimmy Haslip and drummer Gary Novak-is augmented here by guests including saxophonist Bob Mintzer, guitarist Robben Ford, saxophonist/bassist Gerald Albright and, notably, flutist Hubert Laws, whose performance on “Chick,” a tribute to the late Mr.

Its 11 tracks, most written wholly or in part by Lorber, display laudable songcraft and impeccable musicianship, while making no overt effort to be revolutionary. Space-Time doesn’t move the needle far from where it’s long been either. Frankly, not all that much had changed since the start, so why the interminable delay? Was it the loaded “Fusion” designation that threw the Academy off? In any case, the award surely provided some validation, although the artist’s many fans have never needed convincing they’ve been loyal all along.

It was the keyboardist and composer’s first win, arriving some four decades and several nominations after his first release with the group he dubbed Jeff Lorber Fusion. After the initial shock subsided, Jeff Lorber must have chuckled at least a bit when his name was called as the winner of the Best Contemporary Instrumental Album Grammy for 2017’s Prototype.

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